The Silmarillion

Amazon.com Review<br/><br/>The Silmarillion is J.R.R. Tolkien's tragic, operatic history of the First Age of Middle-Earth, essential background material for serious readers of the classic Lord of the Rings saga. Tolkien's work sets the standard for fantasy, and this audio version of the "Bible of Middle-Earth" does The Silmarillion justice. Martin Shaw's reading is grave and resonant, conveying all the powerful events and emotions that shaped elven and human history long before Bilbo, Frodo, Gandalf and all the rest embarked on their quests. Beginning with the Music of the Ainur, The Silmarillion tells a tale of the Elder Days, when Elves and Men became estranged by the Dark Lord Morgoth's lust for the Silmarils, pure and powerful magic jewels. Even the love between a human warrior and the daughter of the Elven king cannot defeat Morgoth, but the War of Wrath finally brings down the Dark Lord. Peace reigns until the evil Sauron recovers the Rings of Power and sets the stage for the events told in the Lord of the Rings. This is epic fantasy at its finest, thrillingly read and gloriously unabridged. (Running time: 14 hours, 6 CDs)<br/><br/>Product Description<br/><br/>The first publication of a deluxe edition of The Silmarillion, featuring the revised, reset text, bound in cloth and leather and set in a clothbound slipcase. The Silmarillion is an account of the Elder Days, of the First Age of Tolkien's world. It is the ancient drama to which the characters in The Lord of the Rings look back, and in whose events some of them such as Elrond and Galadriel took part. The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-Earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor. Included in the book are several shorter works. The Ainulindale is a myth of the Creation and in the Valaquenta the nature and powers of each of the gods is described. The Akallabeth recounts the downfall of the great island kingdom of Numenor at the end of the Second Age and Of the Rings of Power tells of the great events at the end of the Third Age, as narrated in The Lord of the Rings. For the first time, we are publishing a deluxe edition of this pivotal work, featuring the revised, corrected text and including, by way of an introduction, a fascinating letter written by Tolkien in 1951 in which he gives a full explanation of how he conceived the early Ages of Middle-earth. Bound in cloth and leather, and set in a cloth-bound slipcase, this attractive edition will prove a fine addition to any Tolkien collection.<br/><br/>From Library Journal<br/><br/>The action of this volume predates even the above History titles as it relates the creation of Middle-earth, its beings and the coming of evil. Tolkien's Paradise Lost.<br/>Copyright 2001 Reed Business Information, Inc.<br/><br/>Review<br/><br/>'How, given little over half a century of work, did one man become the creative equivalent of a people?' The Guardian 'Demanding to be compared with English mythologies at times rises to the greatness of true myth' Financial Times<br/><br/>From the Inside Flap<br/><br/>"Majestic!...readers of THE HOBBIT and THE LORD OF THE RINGS...will find THE SILMARILLION a cosmology to call their own...medieval romances, fierce fairy tales and fiercer wars that ring with heraldic fury...it overwhelms the reader."<br/>TIME<br/>Those interested in J.R.R. Tolkien's Middle Earth should not be without this grand volume that tells the tragic tale of the struggle for control of the Silmarils, a struggle that would determine the history of the world long before the War of the Ring.<br/><br/>Excerpt. © Reprinted by permission. All rights reserved.<br/><br/>The Music of the Ainur<br/><br/>There was Eru, the One, who in Arda is called Ilúvatar; and he made first the Ainur, the Holy Ones, that were the offspring of his thought, and they were with him before aught else was made. And he spoke to them, propounding to them themes of music; and they sang before him, and he was glad. But for a l