Product Description<br/><br/><br/>In 1995, Marie Gesto disappeared after walking out of a supermarket in Hollywood. Harry Bosch worked the case but couldn't crack it, and the 22-year-old woman never turned up, dead or alive. Now Bosch is in the Open-Unsolved Unit, where he still keeps the Gesto file on his desk, when he gets a call from the DA. A man accused of two heinous killings is willing to come clean about several other murders, including the killing of Marie Gesto. Bosch must now take Raynard Waits's confession and get close to the man he has sought - and hated - for eleven years. But when Bosch learns that he and his partner missed a clue back in 1995 that could have led them to Gesto's killer - and that would have stopped nine murders that followed - he begins to crack.<br/>Michael Connelly's suspenseful new novel pits the detective People magazine calls "one of the most complex crime fighters around" against one of the most sadistic killers he has ever confronted. It confirms that Michael Connelly "is the best writer of suspense fiction working today" (Richmond Times-Dispatch).<br/><br/><br/>From Publishers Weekly<br/><br/><br/>No matter how much critics and readers love him, Connelly's Harry Bosch is definitely a downer. To catch the spirit of the popular series without sending listeners leaping out of their windows requires an unusually talented reader, who can take the tiny shreds of light the author sprinkles very sparingly through his dark and bloody outings and turn them into veritable bonfires. Fortunately, Cariou is a veteran of four previous Bosch audios who knows his man down to his obsessive socks. Cariou can also do Connelly's normal, only semidepressed supporting characters with grace and depth: Harry's female partner, other cops with mixed motives, crooked lawyers, on-the-make politicians, even a convicted serial killer trying to escape the death penalty by reopening one of Bosch's old wounds. Cariou, of course, can't remove Harry's guilt or ease his obsessions: he's an actor, not a therapist. But his talent adds a Prozac-like sense of ease not to be taken lightly.<br/>Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.<br/><br/><br/>From Booklist<br/><br/><br/>Harry Bosch is still on the job, working out of LAPD's Open Unsolved Unit, and despite his best efforts at holding his antiestablishment impulses in check, he's in trouble again. This time the problem is an unsolved case that has haunted Harry since 1993. Now it appears that the killer has been caught, apprehended by chance and connected to a string of nine additional murders. As cops and prosecutors debate a plea bargain--the killer will confess to the murders if he can avoid the death penalty--it is revealed that Harry and his partner may have missed a crucial clue back in 1993 that could have solved the case then and prevented the later murders. But something doesn't feel right. As in<br/>The Closers (2005), Harry once again may be the victim of a politically inspired conspiracy, or "high jingo" in cop talk. Connelly remains a master at constructing plots that, like contrapuntal themes in music, echo one another. As we watch Harry confront the train wreck that could destroy his career, we also see him dealing with a potentially even more serious crisis being played out internally: Can he recover from the knowledge that his oversight may have resulted in nine murders? Is he a good cop with no tolerance for phonies, or is he, in fact, as his enemies have always argued, an uncontrollable rogue whose hubris costs lives? The answers to these questions are not as clear cut as one might assume, with Connelly forcing Harry's many fans to accept the harsh truth that the genre's most compelling hero may also be one of its most flawed. Superior crime fiction, as suspenseful as it is psychologically acute.<br/>Bill Ott<br/><br/>Copyright © American Library Association. All rights reserved<br/><br/><br/>From Bookmarks Magazine<br/><br/><br/>Harry Bosch has been around since the Edgar Award?winning<br/>The Black Echo (1992), a