<p>when The Lusitania Sank, More Than One Thousand People Died. One Passenger, However, Survived To Become A Changed Man, Giving Up His Life As A Petty Thief But Keeping A Small Silver Statue That Would Become A Family Heirloom To Future Generations. <p>now, Nearly A Century Later, That Heirloom, One Of A Priceless, Long-separated Set Of Three, Has Been Snatched Away From The Sullivans. And Malachi, Gideon, And Rebecca Sullivan Are Determined To Recover Their Great-great-grandfather's Treasure, Reunite The Three Fates, And Make Their Fortune.<p>the Quest Will Take Them From Their Home In Ireland To Helsinki, Prague, And New York And Introduce Them To A Formidable Female Professor Whose Knowledge Of Greek Mythology Will Aid Them In Their Quest; To A Daring Exotic Dancer Who Sees The Fates As Her Chance At A New Life; And To A Seductive Security Expert Who Knows How To Play High-tech Cat-and-mouse. And It Will Pit Them In A Suspenseful Fight Against An Ambitious Woman Who Will Stop At Nothing To Acquire The Fates.</p><h3>publishers Weekly</h3><p>this Book Roberts's Fifth New One Released This Year Features All The Romance, Drama And Intrigue That Fans Have Come To Expect From The Bestselling Writer. It Also Offers A Bit More: Cliched Characters (e.g., A Rough-talking, Street-smart Stripper; A Reclusive Alcoholic Brainiac) And Well-trod Ground (e.g., A Grand-scale Shipwreck And The International Art Scene). Despite A Predictable Plot Involving The Sullivan Family And Their Quest To Find A Small Silver Figurine That Belonged To Their Ancestors And Narrowly Escaped Sinking With The <i>lusitania</i> In 1915 Reader Quigley Triumphs To Make This A Winning Production. Her Performance Rings With Subtle Nuances, Accents Ranging From Czech To Irish, And Theatrical Crescendos And Decrescendos. The Story Opens Just Before The <i>lusitania</i> Meets Its Fate, And Quigley Draws Listeners Round With An Ominous Happily Unaware He'd Be Dead In 23 Minutes, Henry W. Wiley Imagined Pinching The Nicely Rounded Rump Of The Young Blonde Who Was Directly In His Line Of Sight. In This Scene And Throughout The Story, She Puts Herself Inside Each Character, Giving Each One A Unique Mannerism, Tone And Feeling No Matter How Formulaically Roberts May Have Drawn Them. Quigley's Presentation Is Captivating; Roberts's Story, Regrettably, Is Not Quite. Copyright 2002 Cahners Business Information.</p>