Selected Prose, Poetry, and Eureka

Introduction<br/>Textual and Bibliographical Note<br/>STORIES<br/>The Fall of the House of Usher<br/>Ligeia<br/>William Wilson<br/>The Pit and the Pendulum<br/>The Man of the Crowd<br/>The Imp of the Perverse<br/>The Purloined Letter<br/>The Cask of Amontillado<br/>The Masque of the Red Death<br/>A Descent into the Maelstrom<br/>Narrative of A. Gordon Pym<br/>The Gold Bug<br/>Berenice<br/>MATTERS OF TASTE<br/>Philosophy of Furniture<br/>The Domain of Arnheim<br/>Boston and the Bostonians<br/>Prospectus of the Penn Magazine<br/>CRITICISM<br/>The Poetic Principle<br/>The Philosophy of Composition<br/>Marginalia<br/>Review of Nathaniel Hawthorne's Twice-Told Tales<br/>POETRY<br/>To Helen<br/>Lenore<br/>Sonnet—To Science<br/>To One in Paradise<br/>Israfel<br/>Dream-Land<br/>The Bells<br/>The Raven<br/>The valley of Unrest<br/>The City in the Sea<br/>Ulalume—A Ballad<br/>Annabel Lee<br/>Alone<br/>The Sleeper<br/>A Dream within a Dream<br/>EUREKA<br/>Eureka: An Essay on the Material and Spiritual Universe