Flowers for Hitler

Flowers for Hitler Leonard Cohen

info Details

<b>To mark the publication of Leonard Cohen's final book, <i>The Flame</i>, McClelland & Stewart is proud to reissue six beautiful editions of Cohen's cherished early works of poetry, many of which are back in print for the first time in decades. <p><i>A freshly packaged new series for devoted Leonard Cohen fans and those who wish to discover one of the world's most adored and celebrated writers.</i></b> <p>Originally published by McClelland & Stewart in 1964, <i>Flowers for Hitler</i> is Leonard Cohen's third collection of poetry, in which he first experiments with his self-consciously "anti-art" gestures: an attempt, in his own words, to move "from the world of the golden-boy poet into the dung pile of the front-line writer." Haunted by the image of the Nazi concentration camps, the poems are deliberately ugly, tasteless, and confrontational, setting out to destroy the image of Cohen as a sweet romantic poet. Its author was confident in his new direction, telling his publisher at the time that the collection was a masterpiece, and "there had] never been a book like this, prose or poetry, written in Canada."

business Cape
menu_book N/A
calendar_today 1973
qr_code_2 9780224008419
language EN
description 154 pages
Flowers for Hitler

Flowers for Hitler Leonard Cohen

info Details

<b>To mark the publication of Leonard Cohen's final book, <i>The Flame</i>, McClelland & Stewart is proud to reissue six beautiful editions of Cohen's cherished early works of poetry, many of which are back in print for the first time in decades. <p><i>A freshly packaged new series for devoted Leonard Cohen fans and those who wish to discover one of the world's most adored and celebrated writers.</i></b> <p>Originally published by McClelland & Stewart in 1964, <i>Flowers for Hitler</i> is Leonard Cohen's third collection of poetry, in which he first experiments with his self-consciously "anti-art" gestures: an attempt, in his own words, to move "from the world of the golden-boy poet into the dung pile of the front-line writer." Haunted by the image of the Nazi concentration camps, the poems are deliberately ugly, tasteless, and confrontational, setting out to destroy the image of Cohen as a sweet romantic poet. Its author was confident in his new direction, telling his publisher at the time that the collection was a masterpiece, and "there had] never been a book like this, prose or poetry, written in Canada."

business Cape
menu_book N/A
calendar_today 1973
qr_code_2 9780224008419
language EN
description 154 pages