The Future is one of the most popular Leonard Cohen recordings. It's his essential film-score album. Almost all its songs appear in Hollywood films. Relatively accessible, it contains everything from gospel-choruses (title track) to synthesizer ballads (Waiting for the Miracle), to pop-country (Closing Time), to marching band rhythms (Democracy). While not his most commercially successful album internationally, it's one of his most musically diverse outings. However, it was one of his biggest chart successes in his native Canada, where Closing Time & The Future were both Top 40. Cohen, whose singing voice is famously an acquired taste, won the '92 Juno Award for Best Male Vocalist. In his acceptance speech, he quipped that "only in Canada could I win a Best Vocalist award". The Future was his last album produced entirely in analog, then digitised after mixdown. Its working titles were Busted (after a line from Closing Time) & Be for Real. His then-girlfriend, actress Rebecca De Mornay, coproduced Anthem. Tacoma Trailer is one of two instrumentals in the Cohen catalog. The other is Improvisation from Live Songs. The album is silver in the UK & double-platinum in Canada. Almost 60 minutes, it was his longest album to date.<br/>"The Future" – 6:41<br/>"Waiting for the Miracle" (Cohen, Sharon Robinson) – 7:42<br/>"Be for Real" (Frederick Knight) – 4:32<br/>"Closing Time"– 6:00<br/>"Anthem" – 6:09<br/>"Democracy" – 7:13<br/>"Light as the Breeze" – 7:17<br/>"Always" (Irving Berlin) – 8:04<br/>"Tacoma Trailer" – 5:57