Exposure Fall 2007
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Product Description<br/><br/><br/>40:2 Fall 2007 Features:<br/><br/>talk<br/><br/>Diana Gaston in conversation with Stephanie Syjuco and Jo Whaley<br/><br/>portfolio<br/><br/>M. Alexis Pike Interview by Shawn Records<br/><br/>portfolio<br/><br/>Bayete Ross Smith Interview by Kalia Brooks<br/><br/>teach<br/><br/>A New Curriculum for a New Generation: Introducing Students to Photography at the Corcoran College of Art + Design Andy Grundberg and Claudia Smigrod<br/><br/>reviews<br/> Robin Michals on Joan Fontcuberta's<br/>Landscapes without Memory<br/> Susan Moore on Stephen Shore's<br/>The Nature of Photographs<br/> Marie-Suzanne Langille on Misty Keasler's<br/>Love Hotels<br/> Gretchen Garner on Duane Michals'<br/>Foto Follies<br/> Colette Copeland on Gregory Crewdson's<br/>Fireflies<br/> Kris Belden-Adams on Willi Rose's<br/>Shadows of War<br/> Colin Edingtonon<br/>Observations In An Occupied Wilderness and Hoshino's Alaska<br/> Melissa Rachleff on<br/>Creative Time<br/> Ivy Cooper on Ed Freeman's<br/>Desert Realty<br/><br/>editor's note<br/><br/><br/>About the Author<br/><br/><br/>exposure, the Society for Photographic Education's journal since 1973, is published biannually in Spring (March) and Fall (September).<br/><br/> exposure welcomes submissions from photographers, historians, critics, writers, professors, instructors, and students. Preference is given to SPE members but membership is not required for publication in exposure. <br/> The Society for Photographic Education is a nonprofit membership organization that provides a forum for the discussion of photography and related media as a means of creative expression and cultural insight. Through its interdisciplinary programs, services and publications, the Society seeks to promote a broader understanding of the medium in all its forms, and to foster the development of its practice, teaching, scholarship and criticism.
Details
Product Description<br/><br/><br/>40:2 Fall 2007 Features:<br/><br/>talk<br/><br/>Diana Gaston in conversation with Stephanie Syjuco and Jo Whaley<br/><br/>portfolio<br/><br/>M. Alexis Pike Interview by Shawn Records<br/><br/>portfolio<br/><br/>Bayete Ross Smith Interview by Kalia Brooks<br/><br/>teach<br/><br/>A New Curriculum for a New Generation: Introducing Students to Photography at the Corcoran College of Art + Design Andy Grundberg and Claudia Smigrod<br/><br/>reviews<br/> Robin Michals on Joan Fontcuberta's<br/>Landscapes without Memory<br/> Susan Moore on Stephen Shore's<br/>The Nature of Photographs<br/> Marie-Suzanne Langille on Misty Keasler's<br/>Love Hotels<br/> Gretchen Garner on Duane Michals'<br/>Foto Follies<br/> Colette Copeland on Gregory Crewdson's<br/>Fireflies<br/> Kris Belden-Adams on Willi Rose's<br/>Shadows of War<br/> Colin Edingtonon<br/>Observations In An Occupied Wilderness and Hoshino's Alaska<br/> Melissa Rachleff on<br/>Creative Time<br/> Ivy Cooper on Ed Freeman's<br/>Desert Realty<br/><br/>editor's note<br/><br/><br/>About the Author<br/><br/><br/>exposure, the Society for Photographic Education's journal since 1973, is published biannually in Spring (March) and Fall (September).<br/><br/> exposure welcomes submissions from photographers, historians, critics, writers, professors, instructors, and students. Preference is given to SPE members but membership is not required for publication in exposure. <br/> The Society for Photographic Education is a nonprofit membership organization that provides a forum for the discussion of photography and related media as a means of creative expression and cultural insight. Through its interdisciplinary programs, services and publications, the Society seeks to promote a broader understanding of the medium in all its forms, and to foster the development of its practice, teaching, scholarship and criticism.