The Life And Death Of King Richard III
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The Life And Death Of King Richard III is a historical play by William Shakespeare, believed to have been written in approximately 1592. It depicts the Machiavellian rise to power and subsequent short reign of Richard III of England. The play is grouped among the histories in the First Folio and is most often classified as such. Occasionally, however, as in the quartoedition, it is termed a tragedy. Richard III concludes Shakespeare's first tetralogy (also containing Henry VI parts 1–3). The play begins with Richard (called "Gloucester" in the text) standing in "a street", describing the re-accession to the throne of his brother, King Edward IV of England, eldest son of the late Richard, Duke of York, implying the year is 1471. Now is the winter of our discontent Made glorious summer by this sun of York; And all the clouds that lour'd upon our house In the deep bosom of the ocean buried. ("sun of York" is a punning reference to the badge of the "blazing sun," which Edward IV adopted, and "son of York", i.e. the son of the Duke of York.) Richard is an ugly hunchback who is "rudely stamp'd", "deformed, unfinish'd", and cannot "strut before a wanton ambling nymph." He responds to the anguish of his condition with an outcast's credo: "I am determined to prove a villain / And hate the idle pleasures of these days." Richard plots to have his brother Clarence, who stands before him in the line of succession, conducted to the Tower of London over a prophecy he bribed a soothsayer to finagle the suspicious King with; that "G of Edward's heirs the murderer shall be", which the king interprets as referring to George of Clarence (without realising it actually refers to Gloucester). Richard now schemes to woo "the Lady Anne" – Anne Neville, widow of the Lancastrian Edward of Westminster, Prince of Wales. He confides to the audience: I'll marry Warwick's youngest daughter. What, though I kill'd her husband and her father? Unlike his previous tragedy Titus Andronicus, the play avoids graphic demonstrations of physical violence; only Richard and Clarence are shown being stabbed on-stage, while the rest (the two princes, Hastings, Brackenbury, Grey, Vaughan, Rivers, Anne, Buckingham, and King Edward) all meet their ends off-stage. Despite the villainous nature of the title character and the grim storyline, Shakespeare infuses the action with comic material, as he does with most of his tragedies. Much of the humour rises from the dichotomy between how Richard's character is known and how Richard tries to appear. A scene from Richard III, directed by Keith Fowler for the Virginia Shakespeare Festival in Williamsburg, site of the first Shakespearean performances in America. (Here Richard is stabbed with a boar spear by the Earl of Richmond.) Richard himself also provides some dry remarks in evaluating the situation, as when he plans to marry Queen Elizabeth's daughter: "Murder her brothers, then marry her; Uncertain way of gain ..." Other examples of humour in this play include Clarence's reluctant murderers, and the Duke of Buckingham's report on his attempt to persuade the Londoners to accept Richard ("... I bid them that did love their country's good cry, God save Richard, England's royal king!" Richard: "And did they so?" Buckingham: "No, so God help me, they spake not a word ...") Puns, a Shakespearean staple, are especially well represented in the scene where Richard tries to persuade Queen Elizabeth to woo her daughter on his behalf.
The Life And Death Of King Richard III William Shakespeare
Details
The Life And Death Of King Richard III is a historical play by William Shakespeare, believed to have been written in approximately 1592. It depicts the Machiavellian rise to power and subsequent short reign of Richard III of England. The play is grouped among the histories in the First Folio and is most often classified as such. Occasionally, however, as in the quartoedition, it is termed a tragedy. Richard III concludes Shakespeare's first tetralogy (also containing Henry VI parts 1–3). The play begins with Richard (called "Gloucester" in the text) standing in "a street", describing the re-accession to the throne of his brother, King Edward IV of England, eldest son of the late Richard, Duke of York, implying the year is 1471. Now is the winter of our discontent Made glorious summer by this sun of York; And all the clouds that lour'd upon our house In the deep bosom of the ocean buried. ("sun of York" is a punning reference to the badge of the "blazing sun," which Edward IV adopted, and "son of York", i.e. the son of the Duke of York.) Richard is an ugly hunchback who is "rudely stamp'd", "deformed, unfinish'd", and cannot "strut before a wanton ambling nymph." He responds to the anguish of his condition with an outcast's credo: "I am determined to prove a villain / And hate the idle pleasures of these days." Richard plots to have his brother Clarence, who stands before him in the line of succession, conducted to the Tower of London over a prophecy he bribed a soothsayer to finagle the suspicious King with; that "G of Edward's heirs the murderer shall be", which the king interprets as referring to George of Clarence (without realising it actually refers to Gloucester). Richard now schemes to woo "the Lady Anne" – Anne Neville, widow of the Lancastrian Edward of Westminster, Prince of Wales. He confides to the audience: I'll marry Warwick's youngest daughter. What, though I kill'd her husband and her father? Unlike his previous tragedy Titus Andronicus, the play avoids graphic demonstrations of physical violence; only Richard and Clarence are shown being stabbed on-stage, while the rest (the two princes, Hastings, Brackenbury, Grey, Vaughan, Rivers, Anne, Buckingham, and King Edward) all meet their ends off-stage. Despite the villainous nature of the title character and the grim storyline, Shakespeare infuses the action with comic material, as he does with most of his tragedies. Much of the humour rises from the dichotomy between how Richard's character is known and how Richard tries to appear. A scene from Richard III, directed by Keith Fowler for the Virginia Shakespeare Festival in Williamsburg, site of the first Shakespearean performances in America. (Here Richard is stabbed with a boar spear by the Earl of Richmond.) Richard himself also provides some dry remarks in evaluating the situation, as when he plans to marry Queen Elizabeth's daughter: "Murder her brothers, then marry her; Uncertain way of gain ..." Other examples of humour in this play include Clarence's reluctant murderers, and the Duke of Buckingham's report on his attempt to persuade the Londoners to accept Richard ("... I bid them that did love their country's good cry, God save Richard, England's royal king!" Richard: "And did they so?" Buckingham: "No, so God help me, they spake not a word ...") Puns, a Shakespearean staple, are especially well represented in the scene where Richard tries to persuade Queen Elizabeth to woo her daughter on his behalf.